Greenwood Stool

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October 18-20, 2021

Made of ash or oak, which will come directly from our Berea College forest. Much of traditional rural Appalachian furniture uses ornamentation and “extra” details sparingly.  Likewise with the stool.  The beads on the legs add visual interest, though the maker can omit them if they prefer a cleaner look.

The tool design was influenced by the work of Chester Cornett and other traditional Kentucky chairmakers.  In particular, a beautifully detailed tall stool by Cornett to a KY author sparked the desire to create something similar.

We will use greenwood techniques and joinery (dried rungs fit into a “wet” post).

Hickory bark provided with the class.

In this class we will:

  •         Split parts from a section of a log

  •         Shape parts at the shavehorse with drawknives and spokeshaves

  •         Make the seat rails – which will be heated/steamed and bent in a form

  •         Drill out the leg angles using sight lines

  •         Fit and assemble the stool

  •        Discuss weaving materials options and finish choices

Participants need to bring a small kit of tools for the class (list provided and we’ll have extras of tools if your kit isn’t complete).

Greenwood Stool Tool List:

Needed:

  • Drawknife
  • Spokeshave (Flat or Round bottomed, flat will be a little easier)

Recommended: (please bring – especially the first eight on this list – but don’t run out to purchase if you don’t own one yet)

  • pencil
  • utility or pocket knife
  • tape measure
  • sliding bevel guages
  • tenon or dovetail saw
  • sharp chisel
  • pocket knife or (small) straight carving knife
  • claw hammer
  • framing square or 24″ straight edge
  • deadblow or lump hammer
  • block plane
  • compass (scribe)
  • card scraper
  • flush cut saw

We’ll use/cover, but not needed:

  • froe, maul and wedges
  • hatchet
  • power tenon cutters
  • bevel setting gauge or protractor (a way to find angle for the sliding bevel gauge)

Andy Glenn

Greenwood Stool

October 18-20, 2021

$550

To Register: Call Aaron Beale at 859-985-3224 or email at bealeaa@berea.edu

Introduction to Carving – Traditional Techniques & Contemporary Applications

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October 8, 9, & 10, 2021

Popular in 1600 and 2020, these ancient carving methods are showing up all over the contemporary furniture field – so come jump on the bandwagon and learn the essentials of these old techniques. We will cover tools, technique, grip, pattern design and jigs for holding your work and for sharpening your tools. I will also demonstrate how to make punch tools and a depth gauge. In the afternoons I will cover classic chip carving – a versatile style of folk carving using inexpensive and simple tools. We will go over essential cuts and shapes that you can use to adorn furniture, boxes, utensils, any kind of decorative or functional woodwork. These techniques are an ideal introduction to carving and look gorgeous on furniture and smaller projects like boxes, bowls, plates and trays. They require simple tools, no expensive vices or grips, and no power tools. Whether you are just starting out or looking for a new way to apply a lifetime of woodworking experience, carving is an exciting and accessible craft. Patterns provided.

 

Participants need to bring a small kit of tools for the class (list provided and we’ll have extras of tools if your kit isn’t complete).

*Pine Croft will have a set of shop/shared tools.  Aspen and Andy will also have their sets and will share.  Please send along a message (to Andy: glenna@berea.edu) if the tool list is concerning or if you have questions about the tools.  We recognize carving tools are expensive.

Aspen’s Carving Class Tool List:

Note on carving gouges:  “I find most of these sweeps very useful so you wouldn’t be wrong to buy them, but they are not a specially formatted ‘essential starter set’ – they are just what is needed for this pattern. During the demo I will talk about how I resize patterns to fit the gouges that I have, rather than always buying new gouges to fit my patterns. I will also talk about ‘walking’ your tool which can help you use your current tools in lieu of new ones.”

Required:

Required Gouges:

Woodcraft carries a full line of Swiss Made/Pfeil carving tools.  There is a local Woodcraft location in Lexington, KY.

  • 8/7
  • 8/13 or 8/14 (mine is gouge is from a yard sale so it’s a little smaller than an 8/14 but that’s the closest modern size)
  • 7F/16
  • 11/10 
  • 7/25
  • 7/20

Recommended/Optional Gouges and Brush:

  • 6/30 (cambered)
  • Cleaning up: you can use what you have for setting in, but I like to use a 7F/6 it’s generally very useful and very helpful for this carving especially. I also use my 5F/8 and my 1s/5
  • Carving brush (small, cheap steel wire brush works well)

Other Recommended/Options Tools:

Pattern punch: Technically optional, but very helpful – I’ll be demoing how to make one

  • Scrap steel – an old file or rasp works very well. Even a very thick framing nail can work. I collect little pieces of steel from the iron studio here at Penland.
  • Triangular or square edge file to create points

Other useful edge tools:

  • ¼ – ½” flat chisels
  • Mini router plane

Mallet:

  • Carving Mallet – there are a million options, plus homemade ones are nice too. The striking surface shouldn’t be metal (will damage your gouges) or rubber (will bounce). Wood mallets are best.
  • Here are a few options though I’m sure you can find more online:

Aspen Golann

Introduction to Carving – Traditional Techniques & Contemporary Applications

Cost: $625

October 8, 9, & 10, 2021

To Register: Call Aaron Beale at 859-985-3224 or email at bealeaa@berea.edu

2021 Spring Classes and Precautions

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Registration for our spring classes open Thursday, December 3rd at 10am.  $100 deposit reserves a spot (deposits and tuition costs are fully refundable this season).  We’re hopeful that springtime is a breath of fresh air.

Please contact Aaron Beale with inquiries either at 859-985-3224 or bealeaa@berea.edu.  Registration will happen over the phone this year so Aaron can answer questions and share our plans for Covid-related safety measures.

  • April 10 & 11  Wooden Carrier ($375) with Andy Glenn
  • April 16,17,18  Introduction to Carving – Traditional Techniques & Contemporary Applications ($625) with Aspen Golann
  • April 30, May 1,2 Greenwood Stool ($550) with Andy Glenn
  • May 14,15,16 Dutch Tool Chest ($875) with Megan Fitzpatrick

We hope you’ll consider joining us in the spring knowing we may need to rework our plans.  You’ll have the opportunity to cancel or receive a credit for a future class if we need to change course.  It’s tough to predict what the next six months hold but we’re working towards holding classes.

We expect mask wearing and pre class testing.  We’ll keep a distance from one another.  And we’ll adjust if that best.  A full write-up of policies and precautions is coming soon.  We’d love to hear from you if you have a question or a concern about our approach (for questions: bealeaa@berea.edu)

Thanks everyone for sticking with us and giving a class some thought.  We hope you, your family and community are well.  Take care and hope to see you in the spring.

andy glenn

2021 Spring Update

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Quick Update:

We’re putting together an abbreviated spring schedule, which we’ll announce in the next month or so.  April and May are gorgeous around here and we hope to welcome everyone back to Berea in spring 2021.

As to precautions, we expect testing and masks will be required.  Our plan is to run with smaller class sizes and have a flexible and open-ended withdrawal policy so our students can feel confident when registering for classes.

There will be more to share as it comes together in the upcoming weeks.

Small teaser – look for the wooden basket class on the forthcoming schedule.

-andy glenn

Pinecroft!

Pine Croft Class Update

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Our plan is to open class registration for the 2021 season on October 15th.  We’ll announce the schedule and guest instructors ahead of that date.  I’m working on lining up our guest instructors at this time… the schedule will be similar to 2020, but not exactly the same.  You can expect a full range of furniture classes – cases and chairs, skills based classes and project based ones.  There will be offerings that cover a range of interests and skills.  We plan on having Tuesday evening presentations from our guest instructors, free and open to  anyone interested.

We’ll release the schedule in October so that everyone can plan for the upcoming year.  We will take a cautious approach.  That will mean our registration and cancellation policy will change, making it easier for everyone involved to adapt if the conditions call for it.

If you are interested in receiving communication about the upcoming schedule and events at the school, please register here (we’ll keep your info private and you’ll receive minimal notifications from us – just enough to keep you updated on the happenings at Pine Croft).

Questions or thoughts? Please contact us.  Our email and phone numbers are on the contact page.  We’d like to hear from you.

All that said, we’re excited and optimistic for the 2021 season.  Hope to see you in the spring!

-andy glenn

Berea College Woodcraft

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With Pine Croft quiet this season, most of our making energy is in the Woodcraft shop.  The students left campus in March and we had a few stay to work with us until early April.  Now there’s just a couple of us in here, working wood and keeping our distance.

We’re putting the last touches on a set of 18 Hepplewhite-style chairs.  These will stay on campus to replace another set of dining chairs (also built in Woodcraft, sometime around the 1930’s).  Our student crew was deeply involved in the construction of the cherry chairs, at least until covid changed our shop plans.  The plan is for our crew to help make the table that will complete the set.  The table is a trestle design, with extensions, that can grow from comfortably sitting 8 to a full 18 with the leaves in place.

While the oil dries on the chairs we’re getting ready for a few smaller upcoming projects – awards for around campus, production items (like our skittles games and baskets) that we are starting to run low on, and now planning for a full return from our students.  Berea College announced that it is inviting all students back to campus in the fall.  Exciting – yes.  But there’s plenty to prepare before we welcome our crew back in August.

We’ll need Justin Skeens to shoot the set once they’re finished.  While I’m able to build them, getting a good photo of the group within our cavernous shop has proved elusive.  He’s worked with Student Craft before, making beautiful videos of each area.  Take a look at some of his work, including the craft videos, if you have a moment.

– andy glenn

 

 

Statement of Solidarity

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Posted: Monday, June 1.  4:00pm

Pine Croft is owned and operated by Berea College.  We typically share woodworking updates and insights in this space, but today requires something different.  Today we’re sharing the College’s statement of solidarity in the wake of the recent, prominent displays of racism and hatred.  It’s with overwhelming sadness and anger that we share this; sadness for the African American community and the societal dangers all around them and anger at the repetitiveness with which this continues.

Here at the Berea College Woodcraft Department, men and women of diverse races and nationalities work together to make craft and furniture. We hope to create a similar community of makers at Pinecroft. It is our goal to develop and nurture that community.

We support those who seek justice.  

We know that institutional racism is real.  

We believe that we can find ways to love and support one another.  

-Andy Glenn and Aaron Beale


To our fellow Bereans and Kentuckians,

Last week, our nation was roiled yet again by the videotaped killing of an unarmed African American man by police: George Floyd. In our own beloved Kentucky, protestors are marching for justice for Breonna Taylor, an African American woman shot in her own home by the police. Even in the midst of a pandemic, people of color remain targets, often with little recourse. Christian Cooper was bird watching in Central Park a week ago and asked a young woman to put her dog on a leash, which was required in that section of the park. Instead, she told him that she was going to “call the police and tell them that an African American man was threatening her and her dog.” The message was clear—Mr. Cooper would be perceived by the police as a threat to her, and would, subsequently, be punished.

In 1857, the United States Supreme Court issued an infamous decision that, it seems, echoes still today. An enslaved man, Dred Scott, sued for his freedom after being taken by his “owner” into what was then a “free” territory. In its decision the court wrote that “They had for more than a century before been regarded as beings of an inferior order…: and so far inferior, that they had no rights which the white man was bound to respect:…” (Dred Scott v. Sanford, 60 U.S.at 407). That decision was overturned by the 13th and 14th Amendments to the U. S. Constitution.

Today, we stand as a nation at a moment when we must decide if the notorious language of Dred Scott will guide our future, or the language of The Declaration of Independence: “We hold these truths to be self-evident, that all (men) peoples are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the Pursuit of Happiness…” Here at Berea College, we have long stood on the side of justice, and today, we remain steadfast, holding to the motto of our Founder, the great Abolitionist Revered John G. Fee, taken from Acts: 17:26, “God has made of One Blood All Peoples of the Earth.” Berea College remains steadfast in its support of all marginalized communities and peoples, and we ask that all Bereans and Kentuckians remember these individuals—that we remember their names and their stories. That we never forget that we are, indeed, one blood.

Signed:

Officers of the College: Lyle Roelofs, Linda Strong-Leek, Channell Barbour, Sylvia Asante, Jeff Amburgey, Chad Berry, Phillip Logsdon, Matt Saderholm, Derrick Singleton, Teri Thompson, Judge Wilson

Trustees of the College: Robert Yahng (Chair), Vance Blade (Vice Chair), Vicki Allums, Celeste Armstrong, Charlotte Beason, Anne Bonnyman, David H. Chow, Charles Crow, Libby Culbreth, Samantha Earp, John Fleming, Mike Flowers, Nana Lampton, Betty Olinger, Miriam Pride, Dennis Roop, David Sloan, Rocky Tuan, Diane Wallace, Stephanie Ziegler, Elton White (former)

Faculty of the College: Rebecca Bates, Mike Berheide, A.J. Bodnar (spouse), Jill Bouma, Richard Cahill, Jean Cupidon, Leonard Curry, Liza DiSavino, Ashley Elston, Robert Foster, Nancy Gift, Richard Hale, Megan Hoffman, Connie Lamb, Shannon Phelps, Cindy McGaha, Meta Mendel-Reyes, Amanda Peach, Loretta Reynolds, Mary Robert-Garrett, Ron Rosen, Tyler

Sergent, Rob Smith, Bobby Starnes, Teri Thesing, Julian Viera, Penelope Wong, Andrea Woodward

Staff of the College: Kishore Acharya, Dan Adams, Elaine Adams, Jenny Akins, T.J. Akins (spouse) Ray Arnold, Aaron Beale, Lisa Berry, Sarah Broomfield, Susan Buckmaster, Charlie Campbell, Sarah Campbell, Nathaniel Clements, Ashley Cochrane, Richard Dodd, Mary Galloway, Judy Ginter, Andy Glenn, Ryan Hess, Mike Hogg, Alice Hooker, Leslie Kaylor, Tennant Kirk, Julie LeBrun, Martina Leforce, Laura Magner, Dorothy Morgan, Judy Mott, Mark Nigro, Joan Pauly, Jessica Peña, Frank Pollon, Laurie Roelofs, Sarah Rohrer, Joanne Singh, Melissa Strobel, Zack Thompson, Wendy Warren, Judith Weckman, Joe Wilkie, Jenna Zimmerman

Students of the College: Cora Allison, Josiah Creech, Rachel Dodd, Amber Follin, Sean Mack, Eli Prater, Phoeba Weber

Retirees of the College: Lothar Baumann, Carla Baumann, John Bolin, Sandra Bolin, Sandy Bolster, Steve Bolster, Jean Boyce, Peggy Burgio, Dorothy Chao (spouse), Eugene Chao, Debra Duerson-Swinford, Betty Hibler, Bill Laramee, Monica Laramee (spouse), Harry Rice, Nancy Ryan, William Turner, Joan Weston

Alumni of the College: Dale Barlow, Donna Dean, Carol Gilliam, Theresa Scherf

Pine Croft Update and Opportunities

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Hope that you all are well.  We’d be nearing the midway point of our season, with an eye towards fall classes, if things didn’t abruptly change for us all a few months back.  As of now, our school is closed for the season.  We’re actively making plans for next season and look forward to getting together in craft once that can safely happen.  We’ll share the news with everyone as those plans come together.

The town of Berea (and Kentucky as a whole) is cautiously beginning to reopen.  Businesses are opening with reduced hours.  Restaurants are planning for in-house dining.  We’re optimistic that, while very different than a few months ago, we’ll find a safe way to gather together again.

While we are quiet and in-person classes are tough right now, there are interesting opportunities out there.  Digital classes around carving and small hand-work skills seem are cropping up.  I’ve listed a few here, by no means is this an exhaustive list.

Opportunities and new digital content:

  • The Austin School of Furniture have added a couple of virtual classes, including a couple digital carving evenings with Aspen Golann.
  • North Bennet Street School is adding digital content.
  • Daniel Clay of Saturday Box Co. has wonderful chip-carving designs and kits available. Check out his work on instagram.
  • Mary May is live-streaming her carvings each day on her twitch.tv channel (along with a heap of digital content on her website).
  • Peter Follansbee made a video series on making a joint stool from riven wood and it looks like he’ll be documenting his basket making next.  Follow his blog or find his youtube channel.
  • One more for those of you looking to learn spoons.  Barn the Spoon of the U.K. offers an online “Spoon Club” video tutorial, with design and technique instruction along with new weekly videos.

Send a message if you’re looking to learn something specific and I’ll try to point you towards a correct resource and maker.

andy glenn (glenna@berea.edu)

Peter Galbert’s Milk Paint Finish

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Peter Galbert was originally scheduled to teach here in Berea this week – a seven-day class on the fan back or hoop back Windsor chair.  We wish we could safely get together to split the log and carve the pine seats, all in the hustle to leave on Saturday afternoon with a shapely chair.  Hopefully next season.

While we are quiet, Peter has put together a video series on milk paint, the finish he uses on his Windsors.  If you’ve ever used the paint before, you know that it can be temperamental and unforgiving.   It’s not until the end of the finishing process, until after the oil is added to add depth and make the colors “pop” that the success (or failure) of the paint job becomes apparent.  I enjoy a little risk and magic during the making process, but prefer to have absolute confidence the finish is going to work once it get to that point in the project.

Peter’s videos take that mystery out of the equation.  His finishes achieve a richness and depth that enhance the beauty of his chairs.  He goes through the entire process of finishing, starting at the equipment and supplies he uses, continuing with how he mixes and applies the paint, and he completes the video with an explanation of the oil varnish he uses at a top coat.   The two videos come with the purchase – the first one showcasing the classic black over red process.  The second video, available soon, will discuss more challenging colors and combinations.

Milk paint is far different than oil and latex varieties.  There is a learning curve with it.  It is not overly difficult to use, but use incorrect steps or a paint of poor consistency and you won’t reach the level of finish you are striving for.  Peter shares his knowledge and experiences here in an entertaining format that will help you get the best results from milk paint.

The cost is $39.99 for the two videos.

-andy glenn

Pinecroft!

Donation Opportunity

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Friends of Pine Croft.

Even before we were forced to cancel our first full season of classes due to COVID-19 we had received inquiries about how best to make donations to The Woodworking School at Pine Croft.

Our intentions for the school are two-fold:

1. To provide the best possible woodworking education.

2. To ensure that the long tradition of quality handcraft continues with future generations.

These two objectives can rub against each other uncomfortably sometimes. Young aspiring craftspeople often find the tuition for the highest quality classes to be out of reach as they are struggling to begin their careers, yet to accomplish both of our core objectives we need to find a way to bring them into the school.

You can help us achieve this goal by making a donation by clicking the yellow button in the upper right-hand corner of our home page. We will apply 100% of the money raised to fund scholarships for those craftspeople, and aspiring craftspeople, who can’t afford our regular tuition.

We offer several options for donation on the site which range from a one-time donation of your choice to a “subscription” or monthly donation at whatever level you feel most comfortable.

As we move forward with this campaign we will keep you posted about how selections for these scholarships are made and would gladly accept any nominations for consideration that you feel comfortable offering.

Together we can ensure that the long legacy of craft and woodworking excellence continues for future generations.

~Aaron Beale