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B. Terry Ratliff

Terry has held tight to the traditional ways of chair making passed down by our Appalachian ancestors. As a child, his father and uncles guided him though the woods to learn the best use of each type of tree in these hills.

From the hand crafted log home he raised his children in, to the high chairs where they sat. On to the wooden horses they rocked upon and the hand woven baskets they collected their eggs in. Terry is a true workhorse who raised his family by the world of woodworking and shared his knowledge for all to gather.

Keeping our roots strong by using his master craftsmanship and passing down his skills to his kids and grandkids; He has dedicated his life to working the grain of the trees pulled down by his own two hands.

Katie Hudnall

Katie Hudnall received her BFA in Sculpture from the Corcoran College of Art & Design and her MFA from Virginia Commonwealth University in Furniture Design/Woodworking.

Her work has been included in many publications and exhibitions including Crafting A Continuum: Rethinking Contemporary Craft, Making A Seat at the Table: Women Transform Woodworking, and in American Craft Magazine’s February/March 2017 issue.

Hudnall lives in Madison, Wisconsin, where she runs the Woodworking and Furniture Program at the University of Madison, Wisconsin. When she’s not teaching she spends her time making tools for problems both real and imagined.

Rob Spiece

Now the Head of Woodcraft at Berea College, Rob has been a studio furniture maker and teacher for the past 15 years. After moving from Pennsylvania to Kentucky, he now enjoys a creekside home where he spends most mornings and evenings enjoying the sounds of running water while trying to catch a glimpse of the beavers that make their home in its banks. Rob’s furniture has been wide and varied, but unique domestic materials and traditional joinery have always been at the heart of it. You can find him published in Woodcraft Magazine, Fine Woodworking and Furniture & Cabinetmaking. In 2020, he was awarded the Wharton Esherick Prize for Excellence in Wood at the Philadelphia Museum of Art Craft Show.

Joshua Wetherington

Joshua Wetherington is a multidisciplinary artist, designer and craftsperson who lives and works in Central Kentucky. Originally from the deserts of Southern California, he finds Kentucky’s lush biodiversity a major source of inspiration. Joshua’s only formal woodworking training was a high school shop class that taught him the fundamentals of machine powered woodworking. This sparked an interest that has lived with him, and has only grown throughout the 20 years since he took that class. Joshua currently enjoys both machine powered and hand tool woodworking with an emphasis in manual wood carving. Most recently, he has ventured away from a more “traditional woodworking” path in an attempt to blur the line between art and craft.

Kelly Harris

Kelly Harris is a studio furniture maker and educator. Located in Brooklyn, NY, she builds custom furniture, useful homegoods, and a Tenon Cutter Hand Tool for windsor chair making.
She is a graduate of the North Bennet Street School Cabinet and Furniture Making program, where she studied period furniture. Additionally, holding a BA in political science and gender studies, she ties in her decades long experience of working in the trades and the service industry, with her specialized study of both period furniture and critical thought.
She has taught woodworking classes nationwide at craft and trade schools including: North Bennet St School, Makeville, Fireweed Woodshop, A Workshop of Our Own (WOO) and has assisted classes at Lie-Nielsen and Penland School of Craft. She serves on both the Facilities Committee and the Education Committee at WOO. She received a Critical Craft Studies Fellowship from Winterthur Museum, Penland School of Craft Assistantships, the Future Craftsmen Scholarship from Oneida Air Systems, and the Haystack Mountain School of Crafts Summer Conference Scholarship. Her work has been exhibited at craft and furniture shows in the U.S and has been published in Wood Review Australia.
Kelly’s work is rooted in solid joinery and functionality, while reserving the space for a playful and nuanced design aesthetic that is both elegant and bold.

Dawson Moore

Dawson Moore lives and works on a sixth generation family farm in Harbor Springs, MI. After reestablishing roots at the farm in 2014, spoon carving became a full time obsession as he gained access to the native trees growing in the local forests. He spent the next several years harvesting his own wood, working it fresh from the log, and learning to use traditional hand tools and techniques to make a variety of spoons and other household items. More recently, he is focusing on designing and building stools and chairs. Even as he incorporates more modern working methods, he still feels a deep connection to the knowledge gained working directly from the woods with hand tools. Every chair still starts with a fresh log and an axe.

Aspen Golann

Aspen Golann is an artist & furniture maker blending early American furniture forms with sculpture and social practice.
Her artwork is exhibited nationally and is published in American Craft, Fine Woodworking Magazine, Architectural Digest, Popular Woodworking, Luxe Magazine, Lost Art Press Blog, American Period Furniture, and others. She serves on the board of A Workshop of Our Own and as an ambassador to the Board of Fine Woodworking Magazine. She has received support for her work from The Windgate Foundation, Winterthur Museum, Anderson Ranch Arts Center, The Center for Furniture Craftsmanship and others and is the recipient of the 2020 Mineck Furniture Fellowship from The Society of Arts & Crafts.

Aspen maintains an active teaching practice and in 2020, with the help of the SA+C, founded The Chairmaker’s Toolbox—a project that provides free tools, education, and mentorship for BIPOC, Gender Nonconforming and female toolmakers seeking to build sustainable businesses. In support of the project, she has partnered with Winterthur Museum, Fine Woodworking Magazine, A Workshop of Our Own, The Furniture Society and chairmakers around the country.

Aspen does domestic and international commission work for designers such as Beata Heuman in the UK, The Harvard Design Project in Boston, MA and Building Preservation Associates in Nantucket, MA.

Most recently, Aspen has received a Windgate residency in the wood/furniture design program at San Diego State University and a Critical Craft Fellowship at Winterthur Museum to explore the physical and social history of the Windsor chair.

Will Myers

Will is a native of north western North Carolina. Woodworking in some way shape or form has been a lifelong hobby for him. Will is mostly a hand tool woodworker but does use the powered stuff for material prep and rough dimensioning of stock.
Measuring and documenting vintage furniture, then attempting to figure out the processes past makers used to build it is one of his favorite aspects of the craft. Then using the information and lesson learned from the old pieces to build new furniture.
Will teaches at several woodworking schools in the eastern US.
New Bio pic for Andy Glenn

Andy Glenn

Andy Glenn joined the team at Berea College Student Craft in the summer of 2017. Since Andy's arrival, the Woodcraft program has begun a return to traditional joinery, hand tool instruction and use, and a re-commitment to the pursuit of excellence that made Berea synonymous with quality handcraft. Andy came to Berea after spending 14 years in the northeast (first in Boston, then Maine), where he trained at the North Bennet Street School (NBSS) before working in repair, cabinet and furniture shops. For ten years, he has taught continuing education classes at NBSS and as a guest instructor in the Cabinet and Furniture Making program. He is excited to help lead the school going forward: "Berea is a welcoming place with amazing creative energy and dedication to craft. We hope to embody those same traits in the school: genuine hospitality, sense of community, and high quality craft.” ~Andy Glenn